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 Eugene Onegin. A commentary Margarita Zieda, Art Critic |
 Still life and silent life Helēna Demakova, Art Critic |
 Temporal dimensions Eglė Juocevičiūtė, Art Critic, Curator Žilvinas Landzbergas. The Future is Now 15.11.2011.–07.01.2012. Vartai Gallery, Vilnius For Ever Again 04.11.–11.12.2011. kim? Contemporary Art Centre, Riga |
 Whether a caterpillar really does enslave ants Laine Kristberga, Film and Art Historian Conversation with the artist Ernests Kļaviņš |
 “I am the most unknown artist” Elīna Dūce, Visual Arts Theorist A two-part conversation with artist Ginters Krumholcs |
 The tormented body, the double “I” Barbara Fässler, Artist VALIE EXPORT. Archive. 29.10.2011.–22.01.2012. Kunsthaus Bregenz |
 Aleksandra Beļcova and the French Riviera. Invitation to the Voyage Natālija Jevsejeva, Art Historian |
 Between “comrades” and "fags" Jānis Borgs, Art Critic Kinetic artist Vyacheslav Koleichuk and his era |
 An overview of Kino Rakstu Bibliotēka Sonora Broka, Film Theorist Latvian cinema history meets Finnish melodrama |
 RT @JFerraro_zip(1) Kaspars Groševs, Artist James Ferraro – Far Side Virtual (Hippos in Tank, 2011) |
 POSTER: Ernests Kļaviņš. The Burning Log. 2012 |
