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| LACDA foto un digitālās mākslas konkurss Rex Bruce, LACDA Registration for 'Snap to Grid' Open Exhibit until Thursday, November 4. | ||||||||||
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| Open Call for Digital Art and Photography Formatted announcement and complete prospectus: lacda.com/juried/juriedshow.html Direct link for registration: www.acteva.com/booking.cfm?bevaid=208615 Los Angeles Center for Digital Art 107 West Fifth Street Los Angeles, CA 90013 lacda.com SNAP TO GRID: the UN-Juried Exhibit November 11-December 4, 2010 Opening Reception Thursday November 11 , 7-9pm (in conjunction with the Downtown Art Walk) reception for prior snap to grid Show your work in our international open exhibit featuring digital art and photography. All entries will be printed (8.5"x11" on heavyweight paper) and shown in our gallery arranged in a grid. Entrants submit JPEG files of original work. All styles of artwork and photography where digital processes of any kind were integral to the creation of the images are acceptable. Entrants to our calls for submissions form the pool of artists from which we select the majority of our exhibitors. Proceeds for "Snap to Grid" benefit gallery programs. Exhibit your work, build your resume, and support our gallery. Everybody wins! Deadline for entries: November 4, 2010 Entry Fee: Registration fee is $30US. Multiple entries are permitted. $30 registration fee for each additional image. Separate registration required for each image. Two easy steps to exhibit your work at LACDA... 1) Register here (one registration fee for each image): www.acteva.com/booking.cfm?bevaid=208615 2) Upload images here (separate upload for each image): lacda.com/UploadPage/forms/form1.html Gallery Statement: Every year for 50 years the L.A. Municipal Gallery has held its "Open Call" exhibit where any artist can show up with their art and an entry fee (to benefit gallery programs) and the piece is shown. The Los Angeles Center For Digital Art decided to launch an international experiment of the same nature where the artists upload images that are printed and hung by the gallery. The hundreds of works are displayed in a grid like installation (reminiscent of postcard art shows of the 1980's) where every work submitted is exhibited. The usual (less than democratic) selection process where only the precious few are chosen is turned on its head in a curatorial anarchy where everyone gets to participate and the viewer is literally left to be the judge. The show represents a snapshot of a current moment in art history when digital imaging has reached the hands of the many, an age where culture belongs to the "mobblogers" around the globe. From Thailand to Texas, amateur to academic, beautiful to banal and beyond the monumental quantity and variety of "Snap to Grid" becomes an aesthetic experience where each individual piece adds to an agglomerate effect that has a life of its own. | ||||||||||
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